Meny

Sample of literary figures

  • Ewert Grens

    Male

    Middle-aged detective chief inspector in Stockholm, ordinary-looking, with thinning hair and a wrinkled face. He suffers from a severe trauma: his wife Anni suffered severe brain damage in an accident that he caused. Now Ewert Grens visits her every day in the care home. His only consolation is the songs sung by Siw Malmkvist, and he is always listening to them in the novels by Anders Roslund – the early novels were written together with Börge Hellström.

    Further reading

  • Mma Makutsi

    Female

    She struggles with her poor skin and unflattering spectacles, but Mma Grace Makutsi has impressively high grades from her secretarial course and is a lady with skin on her nose and a sharp tongue. In Alexander McCall Smith’s suite of novels about The No. 1 Ladies’ Detective Agency in Botswana’s capital Gaborone, Mma Makutsi is first employed, but after a while becomes a part-owner of the agency. She is also happily married to Phuti Radiphuti.

    Further reading

  • Rebecka Martinsson

    Female

    Beautiful and well-educated lawyer – who first works in a law firm and later becomes a public prosecutor – who has a central role in all of Åsa Larsson’s crime stories. In the first books, Rebecka Martinsson is living in Stockholm, but her work takes her to Kiruna, where she grew up, and she later moves back there. She has quite a lot of problems at work as well as in her private life, but is supported by friends, including the police officer Anna-Maria Mella.

    Further reading

  • Gunvald Larsson

    Male

    Born in the fancy district of Östermalm, Stockholm, in a military family that he despises, he is a Marxist, a snobby dresser, sarcastic and is quick to resort to violence. He is single, almost two metres tall, strong as a bull, has closely set eyes and has the habit of picking between his teeth with a paper knife. Apart from this, Gunvald Larsson is an important member in the police group around Martin Beck in most of the books by Maj Sjöwall & Per Wahlöö.

    Further reading