Meny

Sample of literary figures

  • Asbjørn Krag

    Male

    Norwegian police officer, who also works as a private detective, created by Stein Riverton (pseudonym for Sven Elvestad). Asbjørn Krag works in Kristiania/Oslo, but solves cases in various parts of Norway. He is athletically built, with an angular face, and works as much with his head as with his muscles. He is unmarried, or rather, married to his work. His literary colleague Knut Gribb is based on Krag.

    Further reading

  • Anastasia Kamenskaya

    Female

    The young, later middle-aged, Anastasia Kamenskaya is an analyst and investigator for the Moscow Police Department. She is linguistically gifted and beautiful, but is careless about her appearance and how she dresses. Her kind live-in partner (later her husband) looks after their home and accepts that she is often too tired for sex. She is also the main character in a long suite of novels by Alexandra Marinina (pseudonym for Marina Anatolyevna Alekseyeva).

    Further reading

  • Rebecka Martinsson

    Female

    Beautiful and well-educated lawyer – who first works in a law firm and later becomes a public prosecutor – who has a central role in all of Åsa Larsson’s crime stories. In the first books, Rebecka Martinsson is living in Stockholm, but her work takes her to Kiruna, where she grew up, and she later moves back there. She has quite a lot of problems at work as well as in her private life, but is supported by friends, including the police officer Anna-Maria Mella.

    Further reading

  • Amos Decker

    Male

    A former professional footballer who has been a police officer but who had a breakdown when his wife and daughter were murdered. He is not handsome, but is athletically built and has dark hair. After the murders, Amos Decker stopped taking care of himself, became fat and shabby, and lost his job. He pulled himself together, however, became a private detective and later is employed by the FBI. He has hyperthemesia which means that he can remember in detail everything that happens to him.

    Further reading